creative writing community, craft and inspiration
I was listening to NPR on the drive home the other night, hearing how we should be preparing for the rise out of this economic downturn. They were advising everyone to keep retraining, keep improving our skills, and to stay attuned to our industry, so that we’ll be “ready for the next wave.”
Well, in publishing, the next wave has already crashed. Many of us are swimming around, trying to find something to grab onto. Just yesterday, the news was rife with stories about the new Google eBookstore. It’s an encouraging sign that Amazon finally has competition in this exponentially growing segment of the book market. At the same time, those who adore the book as a physical object must resign themselves: digital books are here to stay.
There are some pretty cool things about this new digital horizon. First, your “book” can turn into a wild, multimedia experience. Check out Interactive Alice and enhanced Narnia. These are truly fantastic examples of what the digital platform offers.
But what does it mean for creative writers like ourselves? Are we expected to become multimedia wizards, able not only to write wonderful stories, but to create “books” that are more akin to interactive, animated movies? Will this part of the publishing process become the purview of our publishers, taking the author’s ageless craft and enhancing it, pairing us with digital illustrators as we have only been paired in the world of children’s picture books before?
It’s a fascinating prospect, one with tremendous creative and marketing potential. But, as you can see from the tried and true titles digitally enhanced above, there has been a pretty solid market for a book before publishers are likely to make that kind of investment. For now, digitally enhanced ebooks are likely to remain a fantasy for all but the most well-known or tech-savvy authors.
Meanwhile, we writers must still ply our craft, refining our skills and our stories as we hang on for this uncertain, if exciting, future. Some of us are already experimenting with new forms, like friend and local novelist Pamela Redmond Satran and her blog novel, Ho Springs. The blog format, with its generally short entries (well, maybe not mine!) is a fascinating venue for developing new forms of fiction. There are other, even shorter formats out there, as I detailed in my post last year, The Evolutionary Invention.
I find all this fascinating, a real cultural revolution. As Haruki Murakami mentions in his recent New York Times essay, Reality A and Reality B, “The novels and stories we write will surely become increasingly different in character and feel from those that have come before, just as 20th-century fiction is sharply and clearly differentiated from 19th-century fiction.”
Eventually, great art may come from this short-attention-span, digitally enhanced new medium. The questions we must all ask for now are:
These are the same questions we’ve wrestled with all along.
In the end, does it really matter what form our product takes? We are, all of us, just storytellers, aren’t we? Stories were told orally long before writing existed. As I tell my youngest students, “Imagine yourself sitting around a campfire listening to a storyteller’s words. Now imagine that you are the storyteller. Now imagine that you want your story shared in a village hundreds of miles away.” Writing, and particularly the printing press, made it easier for those stories to survive and be passed along. The new digital media is just Story’s next wave.