Category Archives: Blogging

Welcome to the New Writers Circle Blog

Welcome to the new location of The Writers Circle blog. I hope everyone who was following judithlindbergh.wordpress.com has found us here and will start following, subscribing, contributing and more.

You can “follow us”, subscribe by email or click on the RSS feeds to the right on the new sidebar.

The old blog will continue, but probably not until something significant is happening in my personal publishing life. Meanwhile, it’s all about The Writers Circle now!

We are here to support and nurture our community, to share our thoughts and move together through the fascinating struggles to represent our world – or some other world! – in words.

Join us! Subscribe, comment, “like”, tweet, and even send us a post once in a while. The Writers Circle is a community and we love to highlight our many wise and talented voices.

Great Speakers, Great Events, Great Opportunities

Check out these great happenings at The Writers Circle and in our broader, connected creative circles.

First, we’re officially launching our monthly Writers Circle Speaker Series with a talk that goes beyond writing to all aspects of creative thinking.
The Writers Circle Speaker Series
Join me and TWC Associate Director Michelle Cameron on October 2, 2-4PM for “Tapping into Creativity” at Luna Stage, 555 Valley Road, West Orange. We’ll be talking about how to bring creative thinking to the classroom, the workplace, and yes, into your own creative work, with hands-on exercises that will challenge your imagination. Tickets are $25/session if pre-registered, $35 at the door, and only $20/session for TWC students and parents (former and current). Students should’ve gotten an email with the discount code, but if you didn’t, just let us know. Register online and, while you’re at it, check out the entire schedule of ten great events. (It’s only $150 for all 10 sessions!)

Second, my good friend, novelist Christina Baker-Kline, shares this terrific mini-retreat for creative women. (Sorry, guys. I’ll find something for you next time!)

Rejuvenate Your Writing Life!
mini-retreat logo
A Restorative Mini-Retreat for Creative Women

with authors Christina Baker Kline and Deborah Siegel
Friday, November 4, 9:30am – 3:30pm, Montclair, New Jersey

This one’s not just for writers. As Christina says, “it’s for anyone who may have a story (or stories) inside but needs a little inspiration and encouragement.” Christina and Deborah are both professional writing mothers who believe that writing is vital — even when it has to happen in the crevices of our lives. (How true!) They held this workshop in Park Slope, Brooklyn this spring with wonderful results. Find out more at Christina’s blog and take advantage of these great women’s wisdom and a day of creative community.

Finally, this from one of the participants at my workshop at the Maywood Library last week. Katie O’Connell writes:

“I have a website, SocialJersey.com which is an event listing site and blog for young northern NJ professionals in their 20s and 30s. I’m updating the site and would like to update it monthly with new content. If you are interested in gaining clips, please email: SocialJerseyEditor@gmail.com.

Thanks, everyone, for spreading the word, sharing the talent and networking around. Now get to writing! I promise I’ll have something substantive to contemplate in the next post. Till then, see you at The Writers Circle.

Piecing It Together

What does it mean to be a writer today? For most of us, we are piecing it together, taking the hours when they come, squeezing our words into lunch breaks, between classes or meetings. We fantasize of having endless hours to dally with our muse. In truth, even writers who have found their way to praise and publication can rarely afford to hole up in a quiet cabin and type away.

What’s a writer to do when there are characters in our heads demanding to speak? When there are endless stories churning in our minds like stars in a nebula bursting to be born?

First, we take what time we can.

As I’ve often said in class, if you can’t get three hours, why not try a half hour, fifteen minutes, or the time you can steal when you’re in the bathroom with the door closed? No, this isn’t the best way to complete your epic novel. But it’s enough to get words on paper, to spit out one or two baby stars.

Second, we take (or make) jobs that support our work.

The typical day-job for a working writer is university professor, ideally in an impressive institution that permits long sabbaticals, tenure and only minimal class loads. It sounds idyllic to those who wile away on the corporate wheel. But I’ve known corporate workers who manage to arrange a morning or day off each week to write; I’ve known full-time employees who stay late or come in early for the quiet time it gives, or who write back and forth on the bus or train. (Do NOT sit next to me and chit-chat, please!)

I myself wrote my first novel (the unpublished/unpublishable one) in between typing memos at the boring law firm job I held for many years for that very reason. And I recently expanded The Writers Circle because the idea of being my own boss and teaching children the joys and struggles of writing was so much more appealing than going back to the old commute. Its small start has brought me joy and comfort that what I think is important and valuable and rich maybe really is; and I’m doing my best to share its wealth (metaphorical, so far) with others.

Third, we write what we can.

These days, being a writer can mean many things. Writers are journalists, food critics, marketers. Many writers I know in our suburban New Jersey towns have become roving hyper-local reporters and editors, covering town hall meetings and t-ball games to hone their skills, build their credits and keep their feet in the game. I’ve known writers to accept gigs ghost-writing, working on financial reports, textbooks, advertising or technical manuals. No, perhaps it’s not heart-felt work, but it’s writing. Any chance to craft thoughts and ideas into sound, logical forms is a chance to rightfully call oneself a writer.

Fourth, we write what we must.

I, on the other hand, have never been very good a writing for writing’s sake. Even when I worked in information technology, I avoided the lure of technical writing for fear that it would drain me of any creative word-smithing energy I had left. I was happier doing something completely different, to “save myself” for my true love, awaiting my attentions when I finally made it home and, before I collapsed completely, spent a few hours in anxious, exhausted communing with my characters and worlds.

Neither way is perfect, and neither is a sure route to success. We need to feed our souls and minds as well as our bodies. Finding the right balance is a matter of personality, endurance, opportunity and ultimately choice. As with most things, we all do the best we can.

Fifth (and this is a new one), we publish where we may.

Is working on this blog – or any digital project – any less valuable than writing fiction for print? I guess it depends on your point of view. In a landscape of changing readers’ habits, shortening attention spans, media inundation and a shrinking traditional publishing pool, just about any writing venue is worth exploring.

Self-publishing has lost much of its taboo. And though I personally wouldn’t make it my first choice for developing a broad readership, it’s certainly becoming a viable option for many. It works well for anyone with very direct access to a small but specific market. Profession-specific non-fiction comes to mind readily. But then, who can escape the stunning success of self-publishing fiction superstar Amanda Hocking? Even if your spinal column quivers at the very thought of self-publishing, isn’t it too soon to say? There were naysayers and obstructionists (namely the Church and the elite) when Gutenberg first introduced his machine.

Writers and creative artists are also discovering ways to use digital forms to convey stories in unique and innovative ways. Starting years ago with primitive hyperlink novels, these digital formats are slowing helping us reshape the whole concept of storytelling. Like a brand new set of paints to an artist, new digital venues, including blogging, texting, super-short “Twitter” fiction, video-logs (vlogs, I’m told), and a combination of some or all, invite us into explore and reshape our thinking about story.

Isn’t all of this writing? And honestly, isn’t it fascinating?

We may dream of big readerships, big advances and a seat on a couch beside a talk-show host. But if that’s all we’re working for, we will almost certainly fall short of our goal. And if that’s all we see, maybe we’re turning west to watch the sunrise.

If we want to call ourselves “writers”, the task is before us. Simply write and write and write. Then find a way to put our words into the world. These days, for better or worse, doing that is much easier than it used to be.

Finding readers…? Well, that’s another story.

Another Repost on Backspace’s STET!

Just thought I’d share another lovely reposting on Backspace’s STET! blog. This time it’s my February 25th blog post, Making Space to Write. Thanks, Backspace. I feel like a “regular”!

Crazy Sexy Sandra

Congratulations to another of The Writers Circle’s authors, Sandra Joseph, who has posted a charming, moving and typically candid guest post on Crazy Sexy Life: The Tumor on My Last NerveSandra Joseph.

As I read her guest post, I particularly paused at the self-admonishment she shared: “I can almost literally hear my acting teacher clap his hands to interrupt the action: ‘Sandra, don’t play the end of the scene at the beginning.’”

If you read it, you’ll realize she’s discussing bigger issues than just writing. (And yes, there are such things!) Still, I can’t help but take it down to our usual topic and point out that we often do the same thing when we write.

Sandra continues, “Sometimes actors enter a scene prepped for what they know is coming – the emotional breakdown, the knock-down drag-out – and they bring that negative energy into the scene before the conflict has even begun. It lends an unnecessary weight and edge to what is actually happening in the moment.”

Be in the moment – Be here now – cliches in acting, writing and life, but they’re also true. I’ve seen several manuscripts this week that fit the mold, with scenes that carry the weight of their climaxes before the full circumstances or characters have been laid bare. Anticipating the ending kills the inherent tension of the tale. Hold back, I keep writing in the margins. We don’t fully understand yet. Let your characters live it first. Then we will live it with them.

One of my own teachers called it telegraphing - sending a message ahead to let everyone know what’s to come. It’s an impulse of an anxious or inexperienced writer (or actor) not to trust, to feel compelled to leap ahead to the crux of the matter. But our readers will be patient. Just like our characters, they want, should and must experience the building excitement, anxiety, curiosity, hope or despair. Jumping ahead only destroys the authentic moment of the scene or, in Sandra’s essay, the full, fresh experience of life itself.

So take Sandra’s wise advice whether in writing, acting, or life. Allow your characters to be in the moment and walk with them, step by step, day by day, through their experiences. Don’t let them get ahead of themselves. They don’t know what they will face anymore than we do each morning when we roll out of bed. Whatever conflict we or they must contend with, when it comes, it will bear its own levity or weight, whether tragic, comic, aggravating or joyful.

Thanks, Sandra! And everyone, if you have news to share, please let me know. I’ll be happy to post! Good writing, all.

Omega InstituteSandra Joseph, as most of you know, spent nearly a decade on Broadway as the female lead in Phantom of the Opera. She’s now working on a new self-help book idea while awaiting good news (pray, everyone!) from her agent on her memoir. She’s also teaching a workshop at the Omega Institute this summer: Performing as a Path to Presence, July 10-15 during Arts Week. Check it out and go. I’m sure she has lots more wisdom to share.

I Love Backspace’s STET!

I love Backspace’s STET! And why shouldn’t I? They seem to like me, too.

They shared another of my blog posts on their site, this one from just a couple of weeks ago: The Meandering Plot, or How to Figure Out What’s Next.

Thanks to Amy Sue Nathan, Karen Dionne, and Christopher Graham and everyone at Backspace. I’m honored to be a voice in such a great organization.

Another Nice Writers Circle Re-Post on STET!

As they did about a year ago, Backspace‘s blog STET! has graced me by re-posting one of my early summer pieces, We Are What We Read.
Backspace, The Writers Place
Backspace is a great online writers community with plenty of wise advice, both online and to be had at their conferences, often held in New York City.

Thanks, Backspace! I love being a part of what’s going on.

Author, Know Your Audience

I am sometimes amused by how much I enjoy blogging after years of swearing that I’d never start a blog.

I still remember the whiny voice of comedian Bill Maher mocking Americans as exhibitionists, all of us begging for someone to “READ MY BLOG!” I just couldn’t bear the thought of adding my most private and personal whining to the mix. And I didn’t know what else I’d want to blog about. So I resisted until finally, I found a purpose for this strangely public forum. I did it by recognizing who my audience would be – all of you in The Writers Circle.

After years of sharing hard-copy articles with our group about the work of being a writer, I finally realized that I could share those same articles through hyperlinks on the web – great for my green-guilt about killing trees! Even better when I realized I ought to keep a running record of all those links. And so The Writers Circle blog was born.

The new virtual format also freed me to formally record the many passing musings that I’d often had about the writing process, the struggles of being a writer, the imperative of perseverance. My blog, finally, would not be just a self-indulgent whine; it would enable me to share what we implicitly enact in our weekly classes: that deep, persistent longing to connect, identify with and learn from other writers.

I know my audience because I meet with you every week. When I write for this blog, I think of what we’ve talked about in class. I try to write with each of you in my thoughts as students, colleagues and friends.

Knowing your audience is critical to any writing. Certainly a marketing brochure or a technical handbook have very different purposes, audiences and therefore tones. It’s a rather dry but explicit example of the writer’s classic conundrum – how to find one’s voice. While we all look inward to find our own best, most authentic self-expression, we must also look outward to those we imagine will read our words. We cultivate our voice – or voices, because most writers have at least a few – to suit the context of our work and its intended readership.

So I ask myself, for whom do I write my fiction? Who is this strange voice talking to when it comes out of me, almost always with a heavy cadence and a kind of poetry to tell stories about lives and times and places I have often never been?

I can only answer this by noticing that, in most of my long works, I create at least one character who speaks as the old storyteller, the keeper of history and the voice of the mythic past. Through this voice I write down legends that inform my characters’ worldviews. Sometimes they are real tales I’ve gleaned from other sources. Sometimes they are stories that come to me as if from a swirling mist. This is my favorite voice, the one that I return to again and again in different incarnations. When I write in this voice, I am allowed to ask one of the questions that most intrigues me – how do others experience the world?

Who am I writing for? Who does any fiction author speak to in the end but to themselves? We are our own first audience. We must love our characters, our stories, our imagined worlds. For me, writing is all about reaching into the distant past. For others, it’s about close examination of the present, a moment of mystery unfolding, a careful reliving of a challenging life, or a wild adventure with wacky characters who become vivid to all of us. As a group we become invested in each others’ stories and characters. We are each other’s second audience and together we begin to imagine and even create a third – a larger one that we may never personally meet, but that will read our words and begin to understand us through our tales.

Social Networking for Authors: Reaching Out and Beyond

In anticipation of Stuart Lutz’s book launch party tomorrow night – a Writers Circle first! – I feel compelled more than ever to emphasize the need for a writers community. This extends beyond our own small but growing circle to embrace family, friends, and hopefully an enlarging group of readers who find our work, like it and share it with others.

Writers have always been notoriously solitary characters. We work in isolation, sometimes with only the company of a cat (like the one peering out from behind my computer screen right now). Our stories and characters speak inside our heads. We carry them around with us, an ongoing but invisible conversation that feeds us but also removes us from the immediacy of human contact. Sometimes the only sounds that reverberate in my office throughout the day are the dull clacks of my overused keyboard.

Rosie
Making direct contact these days is vital, both in the creation of a writer’s work and as the finished product reaches for an audience. I have been privileged to work with published peers and struggling first-time writers alike, delving deeply into the creative process, poking, nudging and plucking to find the best way a novel, memoir or book proposal should be shaped. And I’ve relied on peers and confidantes to do the same for me.

Once a book is ready for market, another kind of community steps in. This blog has already seen the contributions of authors Michelle Cameron and Stuart Lutz. I guarantee you’ll see more in the near future. (One’s already in the wings awaiting the launch of my dear friend Stephanie Cowell‘s latest novel, Claude & Camille.)

These “visits” are all part of “blog tours” – the best and sometimes only way authors have found to harness their own destiny in the supersaturated, dwindling book market. Amidst the bewildering churn of digital media, most authors get little or no publisher support. They either hire a costly publicist with generally mixed results or ambitiously go it on their own.

Back in the good old days (like in 2006 when my novel The Thrall’s Tale first came out), publishers still sent a few select authors on the road for a formal book tour. The intention back then was to meet and greet. Publishers were usually less concerned with gathering a receptive audience anxious to hear the author read aloud than with the brisk glad-handing authors shared with favored booksellers who, charmed by the mere appearance of a living, breathing author in their stores, would feel compelled to hand-sell the debut novel, memoir or self-help book to their customers.

I suppose these meet-and-greets were effective in their day. But my tour experience was one of disappointment descending into depression. Try as these lovely booksellers might to draw a crowd, my events were no match for the Superbowl, no draw against the wiles of a violent Seattle rainstorm. The best attended events I had were in towns where I knew lots of friends. (Thank you, now defunct Coliseum Books and all my former colleagues from HBO right next door!) The final stop, in yet another ubiquitous superstore somewhere in the Midwest, amounted to reading to only two people and signing a stack of hardcovers in a back storeroom.

For this, I assure you, I was entirely grateful. Most authors got far less! What impact all this had on sales is anybody’s guess. But I couldn’t help feeling that the money the publisher spent on my excursion (which took me away from my five- and two-year-old for an unbearable two weeks) would’ve been better spent on a strategically targeted marketing scheme.

The way books are bought, sold and read these days is changing so rapidly that no publisher, publicist or lowly author has any idea how to reach out and grab that virtual outstretched hand. These days, an author tour more likely takes place via Skype, Facebook, Goodreads, Shewrites or on the blogs of other writers and friends. Making direct contact is becoming rare indeed. If these new digital forays are adequate substitutes is hard to tell. And although a web presence is absolutely mandatory, I have yet to hear from anyone whether the ROI of a book trailer (almost always paid for out of an author’s meager advance and conceived, written, and directed by him or her as well) is really worth the trouble or expense.

So with all our websites, Twitter tweets, Facebook posts and blogs, how is an author meant to reach out to real readers? And how do we break the wall of our own self-imposed and circumstance-inflicted isolation?

Some authors are touted for the D.I.Y. Book Tour, another way that we have tried to take our fates in hand. The overall experience seems less about selling books than about meeting people, sleeping on strangers’ couches, and listening to readers who never thought they’d even want to read our books. I’ve had the most glorious times in my hosts’ living rooms, listening and laughing to startled responses to my book as we sip wine and nibble cheese. I’ve spoken at endless gatherings where neighbors and friends who either hated or loved my work debated right in front of me their reasons. And I’ve come full circle, supporting my own friends and passing on the tradition to my children, as I did this past weekend at Marc Aronson’s reading in Maplewood. (Yes, that’s my youngest having his copy of If Stones Could Speak signed by the author!)

Passing it On
I’ve begun to realize that, as much as we all long to see our books at the top of bestsellers’ lists, it is community that counts, if only we can find a way to grow and sustain it.

So I encourage all of you to come out tomorrow night and to go to the next reading of an author you know or don’t. Because in the end, we writers don’t often get to bask in the limelight. The few times we do stand in front of an audience are far more satisfying than a blog tour or a Skype talk because the hand shake, gentle pat on the back, and the applause are real.

Happy Anniversary – The Writers Circle hits #15 on the Preditors & Editors Poll!

Check it out! The Writers Circle blog tied for #15 on the 2010 Preditors & Editors Readers Poll!
Preditors & Editors
I know it’s not #1, and I never expected it to be. But even reaching #15 in the overcrowded conversation that goes on every day on the web is impressive, especially because, as far as I’m concerned, the purpose of The Writers Circle is very personal, intimate, specific and REAL.

Most of you (those I’m aware of, anyway) are people I really know, see and work with face to face on a regular basis. That our community has managed to reach a broader audience signifies just how much we all long to connect, even across this vast digital “cloud”.

Each of you inspires my thoughts and directs my posts. As I leave our weekly meetings, I’m filled with ideas about how to best encourage your work, how to guide you in your efforts to express your thoughts and imaginings, and how to press you onward against the inevitable tide of other obligations and distractions.

Over the last four years, we’ve committed to each other. We’ve worked hard to nurture a safe, supportive community that exists and extends across multiple facets of our creative and personal lives. A perfect example is the collaboration of Stuart Lutz, Ross Minichiello and Sandra Joseph, all coming together to create a book trailer for Stuart’s upcoming release, The Last Leaf: Voices of History’s Last-Known Survivors.

I’m thinking of Mary Mann, editor of Maplewood Patch, who has pooled the writing talents of so many in our Circle, including Lois Cantwell, Marcia Worth, Elias Zwillenberg, Stuart Lutz and, yes, yours truly! (Is there anyone I missed?)

I’m thinking of our excitement over members’ achievements, with or without our help, like Chris Harder’s essays in Chicken Soup for the Soul and in The New York Times’ Motherlode; and Lori Sender‘s and Marcia Worth‘s many articles in The New York Times.

I’m thinking of our local readings and Stuart’s book launch coming up on March 26th at Maplewood’s Words. (Be there!)

And I’m thinking of our holiday gatherings where we share food, company, work and laughter.

To me, you’ve all become part of my larger family. I’m proud to be among you, thrilled to cheer you on, more than willing to cry or even argue with you, and most honored to celebrate the successes as they come, paragraph by paragraph, day by day.

I started this blog as an extension of our work together – partly to maintain a public record of the many essays and articles I used to email to you. (And to save all that paper from the ones I used to copy and staple each week. Remember those days? And you all know how I HATE to kill trees!) Yesterday was exactly one year since I wrote my first post, so this small, formal recognition is a lovely first anniversary gift.

Blogging is an unusual opportunity for direct contact with a vast, unknowable audience. But too often I’ve seen it used as public journalling and wondered why anyone would want to world to know their most private thoughts. Perhaps it’s enough simply to be heard, as Carla Cantor (another one of our own!) details in her Psychology Today blog, Small Steps: Through Struggle Comes Strength.

Through The Writers Circle, I have found a purpose for my own blogging. Rather than blathering about my private trials and minor triumphs, I use this blog to gather the experiences and wisdom of many terrific writers and thinkers, and to share my own perspectives, hoping to help us all find the courage and discipline to continue with our work. For me, looking back at all my posts, it’s satisfying to realize how many times in the past I’ve had these thoughts and let them slip away into the ether. Yet now here they are – a record of our growth and progress together.

Thanks to all of you who voted and to all of you who write, read, struggle and share this journey. I’m thrilled to watch The Writers Circle as it grows and embraces a broader writing community. And to our readers and writers who join us in the “cloud”, I wish I could meet you face to face. Good writing. Thanks for traveling with us.

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